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Friday, February 25, 2022

There's a giant Wheke in Wairepo Lagoon and other things - Kura Moana - Aotearoa NZ Festival Of the Arts



Experience this gift to Wellington as you wander the waterfront and discover local stories animated in new ways.  Artist in Focus, Lisa Reihana has created Kura Moana, a series of instalations around the Capital's harbour as part of the Festival of the Arts.  They are:

- Pūrākau - City to Sea Bridge - Jervois Quay
- Te Wheke-a-Muturangi - The Adversary - Whairepo Lagoon 
- Kupe Raiatea - He Karanga - Taranaki Street Wharf Tableau 
- Vivant - Te Papa Lagoon Te Wheke - The Battle - Te Papa Lagoon 
- Ngā Kaikanikani ō te Rangi - The Sky Dancers - Waitangi Park

Pūrākau - City to Sea Bridge - Jervois Quay The magical presence of the giant wheke (octopus) Te-Wheke-a Muturangi is all around you. Augmented reality reveals Te-Wheke-a Muturangi against the Wellington skyline. 

Use the QR code to download the app to see and hear a Pūrākau. Te-Wheke-a Muturangi speaks about being a goddess while taking selfies. She hovers above the pouwhenua of Para Matchitt’s bridge, their navigational symbols mark the original waterfront. 

You can download the Pūrākau app from Apple Store & Google Play.

The creator of this work Lisa Reihana talks about her time as Artist in Focus and her work for the festival in the video below.  

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Learn all about these free interactive installations at: AOTEROA NEW ZEALAND FESTIVAL OF THE ARTS






Thursday, February 24, 2022

GROOVE AT THE FRINGE - The Professio(nah)ls by the Sincere Muckabouts / NZ Fringe Festival 2022

NZ Fringe Festival 2022 The Professio(nah)ls Creatives Caspar Ilschner and Otto Kosok, with Music by Martin Greshoff, Design by Hollie Cohen, and Co-Produced by Monique Gilmour and Isaac Kirkwood. Te Auaha, Dixon Street, Te Aro. From 18 Feb 2022 to 23 Feb 2022 

The PROFESSIO(NAH)LS is the brainchild of recent graduates from Toi Whakaari and the New Zealand School of Dance, especially Otto Kosok and Caspar Ilschner who have teamed up on stage with composer Martin Greshoff to create a vibrant and absurdist take on the old adage ‘stop mucking about and get a job!’ 

The Professio(nah)ls combines choreographer Caspar and Otto’s curiosity for relevant topics with their shared sense (or rather non-sense) of humour. As a result of this, the two have assumed ‘Sincere Muckabouts’ as their company name. The work was created at Toi Pōneke Arts Centre over a three-week-long development and saw its debut last May at Little Andromeda Theatre in Christchurch. 

The premise revolves around two dancers (Kosok and Ilschner) who are obviously fish well out of their waters. They must nervously navigate the alien world of the corporate office. In their choreography they demonstrate deftly the awkwardness of their new environment led by Greshoff’s very clever retro digital soundtrack. 

As a team, they all come across as charming, a bit wet behind the ears and a tad buffoonish. And that’s how this company, Sincere Muckabouts manage to smash up the mundane and challenge what it means to be always busy doing ‘busy’, being ‘flat out’, and bonkers concepts like meetings about meetings, the pointlessness of filing files and all other stuff we take for granted in office culture. Oddly, in these Covid days, we almost miss the office. 

It seems a bit of a nostalgia trip to return to this, when getting stuck in the elevator, losing a stapler, a jammed photocopier or being late to clock in due to a train strike actually mattered. Designer, Hollie Cohen and producers Monique Gilmour and Issac Kirkwood have creating a brilliantly coherent narrative and a perfectly wonderful interactive set that will literally be destroyed and re-made in front of your eyes. 

The show opens on a set of three cubicles, all lined with paper – like the kind a printer spews out all day. The walls of the dividers are lines with that bleached cheap newsprint that comes in a large roll and we like to write our mind maps and brainstorms on. Each desk has computer and a phone, similar to the kind you’d find in a mid-90’s ‘Dilbert-ville’ open plan office. Two young newbies arrive, nervous and spooked by this alien environment. It’s very different from the classrooms, dorm rooms and lecture halls they are used to. Like many of us on our first day, they struggle to navigate. 

Of course, the computers don’t work. So, our duo follow the blue ethernet snake along behind a wall of white file boxes to a huge tangled web of cables. Their first dance piece is a short slapstick wrestle with the ‘web’. It sets up the comedy brilliantly, and we all can relate to this scene. We’ve all been there. Intermittently, Greshoff’s keyboard and computer emits various symphonic blathers constructed of synth chords, desk phone ring tones, fax screaming and internet dial-up blips. Anyone who worked in a 90’s office would clearly remember. Think Kraftwerk and Eno with a smattering of humour by The Devine Comedy (remember their song ‘Office Politics’?). 

In my favourite, scene Greshoff, who until now been noodling around in his own cubicle, stands up and approaches the other two. Like an auditor he prods and poke, scribbling on his clipboard, checking and assessing. One by one the players show off their ‘office skills’ – stapling, typing, shredding, etc. The tasks become more and more ridiculous, morphing into a completely unexpected peacock display of breakdance moves. The piece moves from brown-nosing to showing off – awkward newbies become the ‘lads about town’. 

Another well executed moment is when Kosok gives a painfully self-conscious ‘presentation’. We all know how this goes. Bob from accounts has come to tell us about the sales predictions – or some other such tediousness. This ‘Bob’ blunders through the whole thing, waving around meaningless sales figures, fumbling with names (he refers to the CEO as ‘executed’), mumbling and blah-blah-ing his way through the entire thing. 

Platitudes, equipment glitches, unreadable spreadsheets, acronyms, and all the other pointless clichés we endure through during tedious office meetings. As the show moves on, the mood changes and the two workers become rivals. They fight, then clown about becoming more and more chaotic and crazy. They eventually destroy their office – the fragile paper walls are torn, balled up and shredded. The boxes, stacked like bricks at the back of the stage are smashed. Out of a briefcase comes suit clothes. The twosome use these to build an effigy of their boss - A guy to be burned, I wonder. An act of ridicule and fun. There is a climatic moment when this whole world explodes. In the aftermath the two walk amongst the rubble like survivors of a devastating earthquake. This is the only piece in the show I didn’t quite understand. Perhaps this is a corporate stock crash, literally. Like the fate of real companies, this is an empire that’s is destroyed, literally torn up – on paper and in person. 

But the devastation doesn’t last. They rebuild the box wall, this time in front of the stage while a short black and white movie is projected over the the construction. Roger Waters would be proud (or sue!). Once again, we get the absurdist. Like an old Jaques Tati film, it’s played back at double speed, an image of a man working with what looks like a human sized puppet. He’s trying to pose it and manipulate the body into the required shapes. I wondered if this was a reference to corporate grooming and institutionalism. 

Until now the dance aspects of the work had been limited. But now they start to flourish. The action is physical and fluid. Two bodies write in competition and in unison. This is like the two newbies, interns forced to be rivals, being both buddies and competitors, vying for that job dangled like an unreachable carrot in front of them. 

Overall, I loved this mix of dance, performance and comedy because it spoke tome at a level I could really understand. I’ve been to those meetings. I’ve been that newbie on my first day. Hell, I’ve even crawled under a thousand desks trying to find the right port to plug that damn cable into. They really got it. The show connected with the audience, who all got it too. 

Special mention for the use of the projector, literally as a lighting tool at times creating white cells to divide the cubicles and create washes of colour, gobo effects and, of course that manic movie.

This was a confident, clever work using a simple, straight forward theme. Well executed. It deserves to be seen again. Sadly, our Red-Light setting limited the audience to an exclusive number. I wish I could have taken my children, my partner and my colleagues at the office I work at. Perhaps some came with an expectation of more dance – more choreography, in the traditional and conventional sense. They saw movement and narrative. It was different. But ask yourself this – do we not plan and arrange our professional selves, wear make up and costumes, and hide our real person from the theatre of the corporate? We too, are performers, we dance to the tune of a boardroom, shareholders and managers. Just not as well as these Sincere Muckabouts.

CoffeeBar Kid





Tuesday, February 15, 2022

THIS JUST IN: Aotearoa New Zealand Festival of the Arts 2022 goes online


Due to the rise of Omicron the Aotearoa New Zealand Festival of the Arts 2022 has had to pivot to present a revised digital programme for you. We are relieved and excited that we can offer a series of writers events that you can watch from anywhere. 

Browse the programme, pre-book on a pay-what-you-want basis and stream great conversations with some of Aotearoa and the world's best writers right to you. 

See the writers programme online here.

There have been some brilliant RNZ interviews with some of our writers in the lead up to this programme. Kaya Wilson, Elif Shafak, Mariana Mazzucato, Whiti Hereaka ... if you haven't read the books yet then these are a great way to learn more about these incredible thinkers before you view the digital events. These books are all wonderful so if you need to stock up then head to your favourite bookshop to stock up on all these authors.



Thursday, February 10, 2022

This Just In: WOMAD 2022 Cancels, back in 2023

Wednesday, 9 February 2022

WOMAD NZ wants to thank everyone for being patient and understanding while we've worked through all our options to safely present the festival in March.

With deep sadness, we are announcing WOMAD NZ is no longer going ahead for 2022.

We all had great expectations of bringing the festival back to Taranaki after disruptions due to COVID 19 in 2021. It is heartbreaking to cancel for the second year in a row due to circumstances entirely out of our control.

Our team has cautiously forged ahead with planning for 2022 over the last few weeks. The decision to cancel has not been made lightly. There is too much uncertainty surrounding large festivals and events, and what the growing threat of Omicron's spread in the community means. Ensuring the safety of our festival and the people of Aotearoa continues to be at the forefront of our response.

To our artists, performers, traders, crew, volunteers, and sponsors who continued to stand by us and contributed so much – we thank you from the bottom of our hearts.

WOMAD NZ is also deeply grateful for the additional security of the one-off underwrite of nearly $2 million that New Plymouth District Council approved to allow TAFT to run the 2022 WOMAD festival. Also acknowledging the Government’s Events Transition Support Scheme recognising the important role our festival plays in the region of Taranaki and ensuring the future of the festival.

Justine Gilliland, Venture Taranaki Chief Executive says, “It’s another major blow to the region that WOMAD, a highlight for many locals and visitors, has had to follow suit along with several other events this summer and cancel. Venture Taranaki supports TAFT’s decision as completely understandable under the current circumstances and uncertainty.
 
“In 2020 WOMAD’s economic impact on the region was $6.1 million. We look forward to supporting TAFT to present WOMAD again in Taranaki for 2023 and will welcome the positive flow-on effects the festival has on the region."

WOMAD and TAFT have worked hard to create an award-winning festival in New Plymouth, and WOMAD is regarded as one of the most important events on New Zealand's cultural calendar.

Director of WOMAD International, Chris Smith comments “The WOMAD festival attracts thousands of visitors to the Taranaki region each year and has rightfully gained a reputation as one of the most beautiful outdoor festivals in the world.”

We're already setting our sights on WOMAD NZ 2023, our most exciting festival year yet, as we celebrate 20 years of WOMAD NZ making its home in the stunning Bowl of Brooklands and Brooklands Park, New Plymouth, Taranaki home. With the news that our borders will open on the horizon, it's looking highly likely that WOMAD NZ will be able to bring together artists from all over the world again over three incredible days of music, arts, and dance.

To our festival ticket holders, your tickets will roll directly over to WOMAD NZ 2023, our 20-year celebration, which takes place 17 - 19 March 2023. Nothing changes and all tickets will remain valid and at the 2022 prices! We hope you will all join us for the 2023 - 20-year event!

If festival goers cannot make our 2023 dates, refunds will be available through our ticket outlet Ticketspace, at face value. Please bear with us while we work this process with our ticketing agent Ticketspace.
We will email all ticket holders with further information about your options.

We now look ahead to channelling our energy into creating a truly magical experience for WOMAD NZ 2023 - a 20-year event!
 - Chris Smith - Director of WOMAD International  & Suzanne Porter – CEO Taranaki Arts Festival Trust

Saturday, January 01, 2022

Roger Fox made Companion of New Zealand Order Of Merit

Jazz stalwart promoter and band leader Rodger Fox for nearly half a century has been made a Companion of the New Zealand Order of Merit.

Fox, as we all well know is a a trombonist, leader of his big band leader, a musical director and educator. He  was recognised for his services to music in this year's New Year honours.

It came as 'a bit of a surprise', but he said in the Press, that it was a good chance to showcase Jazz.

He told Stuff.co.nz “I think it’s good for the arts really, it’s given them this sort of prominence, anything which can foster the arts and show there’s stuff happening in New Zealand in the arts, it’s all good, especially when it comes to jazz and big band music.”

The Rodger Fox Big Band had been a permanent fixture of New Zealand jazz music, and Jazz Festivals around the motu for nearly 50 years. They not only tour but also touring make contributions delivering workshops and promoting jazz music.

The band will celebrate its 50th anniversary at the end of 2023.

“When I first started it," he told RNZ,  "I wasn’t thinking 50 years down the track, you know, I probably wasn’t thinking 12 months down the track.”

He's had many highlights, including the Montreux Jazz Festival in the 1980s, At a time when no other Kiwi had performed there. He was a tutor at Massey University School of Music in the 2000s, becoming an Honorary Doctor of Music in 2005. And is currently senior lecturer at Victoria University (where he's been since 2011).

Fox came from a musical family. Both parents played, he said. So, it was inevitable that he'd go into music, too.

Congratulations, Roger. From all of us at Groove!



Tuesday, December 28, 2021

Avantdale Bowling Club returns to Welly! TSB Area on Saturday 12 March 2022

After a sell-out show at the 2020 Wellington Jazz Festival, West Auckland rapper Tom Scott returns with his latest jazz-infused award-winning project to the TSB Area on Saturday 12 March.

"Avantdale Bowling Club has become one of my favorite bands in this country...It really packs a punch. It's quite raw and visceral in a way, but it does make you want to get up and move - you're just utterly transfixed." - Marnie Karmelita

Our camera crew sat down with our Director Marnie Karmelita to discuss Avantdale Bowling Club, listen to the full story here: Open the YouTube clip



Thursday, December 23, 2021

Meri kirihimete, Groovers from all of us here in the Lounge!

 


Meri kirihimete, Groovers from all of us here in the Lounge! 

It's been a weird year but somehow we all pulled through.  

Sure, Santa will need to be double vaxxed before he come down our chimney and Rudolph will need to master the QR scanner but it's not all bad.  

We sincerely hope that you and your loved ones will find time to really learn the magic of whanau and friendship this season.  Hopefully, you'll all get out and enjoy the semmer.  

And, if you are working, especially the core workers who are keeping us all safe, then please take care and stay safe.  And, thank you.  From the bottom of our hearts. 

Go well Groovers, get vaxed, wear a mask, carry your passports.  Mix up your favorite coattail, pull up the couch and head to the lounge this Season.  

And when you tune in, here's some jingle bell swing to get the party started...



Sunday, December 05, 2021

When the Cat's Away - Inducted into the NZ Music Hall Of Fame


We are very excited to announce that Annie Crummer, Debbie Harwood, Dianne Swann, Margaret Urlich and Kim Willoughby are to be inducted into the NZ Music Hall of Fame | Te Whare Taonga Puoro o Aotearoa — individually and as members of When The Cat's Away. 

As a band, they broke records for their live shows in the late 1980s.  "The story of When The Cat’s Away is far more do-it-yourself than observers might imagine", write Murray Cammack on Audio Culture.

We recommend heading over to Audio Culture to read all about this amazing story of success. 





Sunday, November 21, 2021

GROOVE AUDIO STREAM UNAVAILABLE (since 21/11/21 NZST)

The new Groove FM online audio stream currently being tested. Give it a try on right =>




Unfortunately our Streaming host appears to have shut down without warning and the stream is currently unavailable. We are considering our options for the future and working to get it restored.

While you're experiencing what it would be like to be with out Groove, please consider donating money now!

We urgently need to replace some equipment and find a new host to ensure this doesn't happen in the future.

At the moment we aren't running any commercials on-air and we like it that way but we can't maintain it let alone replace equipment unless more good people like you subscribe or donate. If you'd like to keep Groove on-air and commercial free, please use the buttons to the right :)
Stream sponsorship is available too.
Please let us know if you would like to sponsor the stream for a mere NZ$30 a week. Contact details bottom right of this page.

Wednesday, November 17, 2021

100 Years of Radio in Aotearoa

The wireless has been a staple in our lives, entertaining and keeping the nation together in times of hardship, war, strife, elation, heartache and giving great happiness and even companionship to millions over the generations.

In Aotearoa, it all began in November 1921 when Professor Robert Jack (1877-1957), a physicist and university professor at Otago, and early pioneer of radio broadcasting, made a short broadcast. In the first minutes of his broadcast he played a gramophone record called 'Hello my Dearie' followed by a few words Jack.

Professor Robert Jack Photo: Ministry of Culture and Heritage.

From there the medium of radio grew and grew.  Over in the USA and in the UK the ABC, NBC and BBC became giants of the media world.  The NZBC and subsequent commercial radio was slow initially but started to gain traction by the 1930's. 

 There were many historical highlights broadcast over those years including 1937 fiery destruction of the Hindenburg in New Jersey.  A US Reporter Herbert Morrison in the middle of his recording when the airship burst into flames.  It knocked and his camera operator down. You can just hear him crying out calling for people to move out the way, while shouting "Oh the humanity".

 Back at home, in 1939, New Zealand Prime Minister Michael Joseph Savage took to the air to announce the outbreak of World War II.  "The war on which we are entering," his speech went, "may be a long one, demanding from us heavy and continuous sacrifice... It is essential we realise from the beginning, that our cause is worth the sacrifice." 

In 1953 there was a newsflash broadcast that New Zealander Edmund Hillary had conquered Mount Everest.  And then later that same year, the Tangiwai Disaster, when a train plunged into the flooded river, killing 151 passengers. "One reporter said: "Some bodies have been recovered 15 miles from the scene of the disaster.  I gravely fear there is little hope of further persons being found alive."

The Wahine sinking. Photo: Alexander Turnbull Library/35mm-01149-29-F

Radio was there when the Wāhine sunk in Wellington Harbour, on 10 April 1968. A reporter on the scene told of the ship swaying in the Wellington Harbour waters, before it became fully submerged, people leaping onto life rafts.

More disaster on the radio as the news from the devastating Mount Erebus disaster rolled in.  Coverage initially told of the aircraft was lost, with fuel reserves running out.  But the tone changed when wreckage was discovered, bodies seen from the search team's plane.  The clearly affected reporter said there would be no survivors and it would be unlikely all the bodies would be able to be retrieved as some were buried under the snow.

The 1981 Springbok Tour held a lot at airtime, with the country divided for 56 days.  At the Auckland game, a commentator watched protesters dropping flour and smoke bombs on the pitch, one even hitting an All Black.  It eventually stopped the game.

Protestors against the Springbok tour. Photo: Photosport

Then there was the Muldoon era and the infamous "schnapps election".  On the night of 14 June 1984, Muldoon, Prime Minister at the time, staggered drunkenly up to the podium to announce a snap election.  "It doesn't give you much time to run-up to an election, Prime Minister," he was asked. Muldoon replied, slightly wobbly, "It doesn't give my opponents much time to run-up to an election does it?"  National lost and the era of Rogernomics was ushered in.

1995 had a victory of a different kind, when we won the America's Cup - Peter Montgomery was widely air checked "The America's Cup his now New Zealand's cup".

Sirs Peter Blake and Russell Coutts has sailed Black Magic to a 5-0 sweep.  There were lucky red socks parades around the country.

On September 11, 2001 we heard the haunting audio of a mother leaving a voicemail to her family.  She explained she was a passenger on one of the hijacked planes, she could only hope she'd see their faces again.  That day and those events will be forever emblazoned on our minds - the day the Twin Towers of the World Trade Centre in New York were toppled by two planes.

In the early 2000's Aotearoa made its name in Hollywood - first Jane Campion and Emma Pacquin winning for 'The Piano' and then 'Lord of the Rings' taking a 'clean sweep’, also at the Oscars.  'Return of the King' (by Sir Peter Jackson) scooped 11 categories in 2004.

Only 6 years after Pike River Mine exploded - an ongoing story to this day.  And then the tragedy of a catastrophic earthquake in Christchurch in 2011.

The 1995 America's Cup. Photo: PHOTOSPORT
Christchurch was hit by a second tragedy in 2019, one of our darkest days, with the attack on two mosques.  "All of a sudden we just heard gunshots," said an eye witness on RNZ that day, " I left everything, my mum grabbed my hand and we just ran outside, everyone was in chaos, we were just running for our lives." 

And now the Covid 19 Pandemic with daily stand ups, lockdowns, Prime Minister Jacinda Ardern announcing the levels, the rise of respect for a common public servant - Dr Ashley Bloomfield. 


Jarek - at The Food Show Broadcasting Live
Groove, too has had many highlights.  We started in the bedroom of an Island Bay flat - the Brainchild of ex-Fish-erman (Taupo) radio owner Dean Conland.  Early days included live broadcasts of jazz at St Hilda's in Island Bay, parades and fairs around the ropu. A few years later the station moved to Trade's Hall, the infamous site of the Ernie Abbot bombing in the 1980's.  Groove has also run live crosses at the Newtown Festival, the Food Show, Jazz night at Haitatai's Realm Bar, The International Arts Festival, The Tuis and the AMA's plus many other high profile events.  We also have been longstanding supporter of WOMAD, in Taranaki, and to this day run interviews with local and international artists.  

CoffeeBar Kid with Masterchef winner Brent MacKenzie

Check out our back pages, we've interviewed and shared the mic with countless musicians and friends. We still run the Groove Book report, Facebook, and broad cast on this site via the internet, reaching an unlimited listening audience.

To all the wonderful people that have supported us over the years - ka pai - thank you.  

Please keep listening and celebrating music, books, food and the arts with us.  



   







 







Friday, November 12, 2021

#VAXFORLIVE


 

Grammy-nominated vocalist Roseanna Vitro releases “Sing a Song of Bird”


“A stunning, epic legacy recording that gives imaginative flight to the timeless magic Parker left us long ago.” - JW Vibe by Jonathan Widran

SING A SONG OF BIRD is a collaboration of four New York jazz vocalists who are passionate about Charlie Parker’s music and have rendered new lyrics to six of his compositions. This is the 15th recording for Grammy-nominated vocalist ROSEANNA VITRO, who conceived and guided this project but chose not to sing on every tune. Instead, she hands the microphone to her mentors, bebop jazz legends BOB DOROUGH, SHEILA JORDAN and MARION COWINGS, each of whom take solo turns with their own unique and soulful interpretations on several compositions by Bird.

This album is a celebration of Bird’s music, a special recording that goes beyond being a mere tribute album. Dorough was 94 and Jordan was 89 when they recorded the album. Their status as jazz legends is uncontested. Dorough is no longer with us, but Jordan is still going strong, with a busy schedule and performances all around the world. You can find Cowings performing around NYC as well. And, of course, we are very lucky to have Vitro still making music and dedicated to exploring new avenues of creativity, as she will for years to come.

It is her 15th release, and it showcases her passion for expanding the jazz repertoire with newly crafted lyrics and a cast of bebop masters - vocalists Sheila Jordan, Bob Dorough and Marion Cowings; along with alto saxophonists, Gary Bartz and Mark Gross.

This is a soulful flight from an artist whose recordings include The Music of Randy Newman, Catchin’ Some Rays (Ray Charles), Clarity (Clare Fischer), Tropical Postcards (Brazilian), Tell Me the Truth (Southern blues), Passion Dance (McCoy Tyner) and Live at the Kennedy Center (Kenny Werner), each featuring a cast of master instrumentalists.

Roseanna has toured on every continent except Antarctica, representing the USA as a Jazz Ambassador for The US State Department, The Kennedy Center and Lincoln Center.


SING A SONG OF BIRD is a collaboration of four New York jazz vocalists who are passionate about Charlie Parker’s music and have rendered new lyrics to six of his compositions. This is the 15th recording for Grammy-nominated vocalist ROSEANNA VITRO, who conceived and guided this project but chose not to sing on every tune. Instead, she hands the microphone to her mentors, bebop jazz legends BOB DOROUGH, SHEILA JORDAN and MARION COWINGS, each of whom take solo turns with their own unique and soulful interpretations on several compositions by Bird.

This album is a celebration of Bird’s music, a special recording that goes beyond being a mere tribute album. Dorough was 94 and Jordan was 89 when they recorded the album. Their status as jazz legends is uncontested. Dorough is no longer with us, but Jordan is still going strong, with a busy schedule and performances all around the world. You can find Cowings performing around NYC as well. And, of course, we are very lucky to have Vitro still making music and dedicated to exploring new avenues of creativity, as she will for years to come.

It is her 15th release, and it showcases her passion for expanding the jazz repertoire with newly crafted lyrics and a cast of bebop masters - vocalists Sheila Jordan, Bob Dorough and Marion Cowings; along with alto saxophonists, Gary Bartz and Mark Gross.

This is a soulful flight from an artist whose recordings include The Music of Randy Newman, Catchin’ Some Rays (Ray Charles), Clarity (Clare Fischer), Tropical Postcards (Brazilian), Tell Me the Truth (Southern blues), Passion Dance (McCoy Tyner) and Live at the Kennedy Center (Kenny Werner), each featuring a cast of master instrumentalists.

Roseanna has toured on every continent except Antarctica, representing the USA as a Jazz Ambassador for The US State Department, The Kennedy Center and Lincoln Center.

https://roseannavitrojazz.squarespace.com/