As composer, Brubeck has written and, in some cases, recorded several large-scale works including two ballets, a musical, an oratorio, four cantatas, a mass, works for jazz combo and orchestra, and many solo piano pieces. In the last 20 years, he has organized several new quartets and continued to appear at the Newport, Monterey, Concord, and Kool Jazz Festivals. Brubeck performed at the White House in 1964 and 1981 and at the 1988 Moscow summit honoring the Gorbachevs. He is the recipient of four honorary degrees, the BMI Jazz Pioneer Award, and the 1988 American Eagle Award presented by the National Music Council.
His parents were very religious and had groomed Gene for the priesthood. He spent his grammar school days at various parochial schools and upon graduation went to St. Joseph's College for a brief year. Gene's drive to drum was too strong and he gave up the idea of becoming a priest. In 1921, while still in grammar school, Gene joined his first band "The Frivolians." He obtained the drumming seat as a fluke when the regular drummer was sick. The band played during summers in Madison, Wisconsin. Upon entering high school in 1923, Gene became buddies with the "Austin High Gang", which included many musicians which would be on Gene's first recording session; Jimmy McPartland, Jimmy Lannigan, Bud Freeman and Frank Teschemacher. In 1925, Gene began his percussion studies with Roy Knapp, Al Silverman & Ed Straight. Under advice from others, he decided to join the musicians union. "The guy said, 'Make a roll. That's it. Give us 50 bucks. You're In.'" Krupa started his first "legit" playing with Joe Kayser, Thelma Terry and the Benson Orchestra among other commercial bands. A popular hangout for musicians was "The Three Deuces." All of the guys playing in mickey mouse bands would gravitate here afterhours and jam till early in the morning. Gene was able to hone and develop his style playing with other jazz players such as Mezz Mezzrow, Tommy Dorsey, Bix Beiderbecke and Benny Goodman in these local dives. Krupa's big influences during this time were Tubby Hall and Zutty Singleton. The drummer who probably had the greatest influence on Gene in this period was the great Baby Dodds. Dodds' use of press rolls was highly reflected in Gene's playing, especially during his tenure with Benny Goodman.
Benny and Gene in 1937.